Nov. 21, 2025

You are fisting a cow to get it pregnant. Is that what God wants?

You are fisting a cow to get it pregnant. Is that what God wants?

Send us a text he conversation moves through a fast, chaotic blend of social commentary, sexual humor, political cynicism, and personal reflection. It begins with discussion about the resurgence of collectible items and how AI and capitalism may force people back into simpler, more human activities. That leads into a critique of money, crypto, billionaires, and the concept that nearly everything in modern society is essentially fake. The dialogue expands into global politics—sanctions, coups,...

Send us a text

he conversation moves through a fast, chaotic blend of social commentary, sexual humor, political cynicism, and personal reflection. It begins with discussion about the resurgence of collectible items and how AI and capitalism may force people back into simpler, more human activities. That leads into a critique of money, crypto, billionaires, and the concept that nearly everything in modern society is essentially fake. The dialogue expands into global politics—sanctions, coups, oil interests, and the U.S. acting as an unchecked global power.

From there, the tone shifts into absurd humor about farming, insemination, and how people who fist cows often hold conservative anti-LGBT views. The conversation spirals into kink culture: leather scenes, pups, masks, fetishes, and why certain communities exist. This includes uncomfortable, explicit questions about fisting, bodily functions, sexual progression, and why some people enjoy extreme acts.

The discussion then swerves to everyday life: talking to dogs like children, dogs’ pack behavior, the contrast with aloof cats, and the bizarre reality of pets living indoors. Food prices, inflation, and the shrinking size of groceries become a point of frustration. The conversation returns to personal growth, aging, creative phases, past podcast eras, and how both hosts have changed since earlier episodes. Nostalgia for past creative periods emerges, along with recognition of personal evolution.

Interwoven is a thread about filmmaking: the beginning of a documentary project, motivations behind solo travel, the meta-process of documenting the making of a documentary, and how it ties to self-reflection. The dialogue continues into aging, nightlife shifting into quiet routines, and the strange dissonance between adult responsibilities and the outrageous conversations they still have.

Overall, the transcript jumps from existential dread to explicit gay sexual comedy, from geopolitical collapse to pet parenting, from leather festivals to the price of soup—all narrated with unfiltered honesty, sarcasm, and vulgar humor.

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